Antelope Audio Goliath HD

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  • Antelope Audio Goliath HD
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Price: $6,995.00
Product ID : goliath_hd
Manufacturer: Antelope Audio
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Description

Antelope Audio's Flagship Goliath HD Interface Brings Colossal l/O and Processing Capabilities to Pro Tools HD


World's Most Powerful Interface - 
now Pro Tools HD & Native ready

Antelope Audio announces five new vintage compressor FX - Click for Details


EXPLORE THE FULL LINE OF FPGA REAL-TIME VINTAGE AFX

Needless to say Goliath HD is armed with the full Antelope Audio arsenal of hardware-based FPGA FX. These inclued the most authentic and realistic zero latency Vintage EQs, Compressors and guitar amp & cabinet models on the market. Use them for real time tracking or mixing and easily save presets with your favorite setups. Those can be easily recalled or shared with other studio facilities, which are also part of the global Antelope Audio family.

Goliath HD comes with full yet ever expanding list of Antelope Vintage FX models: 

  • EQUALIZER LEGENDS: VEQ-STU 089, VEQ-STU 169, VEQ-STU 900, VEQ HA32C, BAE 1023, BAE 1084, NEU-W492, NEU-W495, VEQ-4K Black, VEQ-4k Brown, VEQ-4K Pink, VEQ-4K Orange, BAE-1073, VEQ-HLF, VEQ – 1A, VMEQ-5, LANG PEQ2, VEQ-55A, UK-69, NEU-PEV, INTEGRATED EQ
  • VINTAGE COMPRESSORS: X160, Tube176, X903, Gyratec X, Grove Hill Liverpool, ANTELOPE FEEDFORWARD COMPRESSOR, FET-A76
  • AURAVERB™:New Reverb Leveraging Unique Algorithms and Proprietary FPGA Chip for “Smooth and Clear” Sound
  • THE GUITAR CLASSICS:
Cabinets: Darkface 65 2x12, Top30 2x12, Green 2x12, Vintage 4x12, Green 4x12, Caliper50 1x10, Clst 1x12, England4x12, Modern 4x12, Bluelux 1x12. 
Guitar Amps: Darkface 65 US, Top32 UK, Modern US, Plexi 59 UK, Rock 22.10 UK, Rock 75 UK, Marcus II US, Tweed, Deluxe US, Overange 120 UK, BurnSphere DE.
Mics: California121 Ribbon, Austria Gold 414, American57, German FET87.

 

Key Product Features:

  • Integrated Real-Time Effects: EQs, Compressors, Reverb, Guitar Amps & Cabinets
  • Proprietary FPGA with massive modeling capabilities
  • HDX, USB 3.0, Thunderbolt Gen2 & MADI connectivity
  • Antelope Audio renowned clocking and enhanced conversion
  • Proprietary HDX Delay Compensation
  • 16 Accusonic mic preamps with phantom power, dedicated knobs & level meters
  • 16 Line Inputs on two D-SUB 25
  • 32 Line Outputs on four D-SUB 25
  • Two premium Re-amp outputs
  • Mastering grade monitor outputs with 132 dB dynamic range
  • Two independently assignable headphone outputs
  • AES, MADI, ADAT and S/PDIF connectivity
  • Talkback functionality
  • Redesigned front panel with enhanced monitor & level indicators
  • Multifunctional touch screen display

 

ALL YOUR HD SETUPS BELONG TO GOLIATH

64 channels of audio now via HDX & USB 3.0

Goliath HD is a 64-Channel interface that can be used with Pro Tools HD or Native DAWs via second generation ThunderboltTM, USB 3.0 or via 2 MADI connections, which are compatible with MADI to Dante Bridge products. Coming with extensive I/O options, featuring 16 Accusonic mic preamps with individual volume controls, 32 analog ins with 124dB of Dynamic Range, 32 analog outs with 129dB of Dynamic Range, plus mastering grade monitor outputs, featuring new technology that boosts dynamic range to a spectacular 132dB.

Goliath HD comes with 8 instrument inputs, 2 transformer re-amp outs, integrated Talkback mic, 2 headphone outs and a pair of analog inserts. And if this wasn’t enough, the descendant of the mighty Goliath offers also AES, MADI, ADAT and S/PDIF connectivity.

 

LEAVE LATENCY BEHIND

Revolutionize your Pro Tools HD workflow

With Antelope’s proprietary HDX Delay Compensation, any analog or digital input can arrive in Pro Tools HD sample accurately in the timeline. No other interface on the market offer this level of perfect integration for digital sources to Pro Tools HD software.

The Antelope Audio Real-time FX, zero latency independent software mixers and routing matrix with two alternative views are the perfect compliment to Pro Tools HD studios, which have come to expect maximum power at their disposal. Goliath HD, however, is compatible with any DAW on the market making the device the heart and soul of the highest tier audio facilities around the world. Our newly introduced full Session Presets are the perfect match for the complex and large-scale setups and projects Goliath HD was designed to handle.

 

HD STUDIO CENTERPIECE

Work on complex projects and multiple DAWs with Goliath HD

By offering both HD and USB3 modes, engineers can now accommodate producers and their laptop projects and integrate them into their existing HD setups by easily switching between HD and our low latency ThunderboltTM and new USB3 modes.

Goliath HD guarantees quiet operation even in the most demanding control rooms. Don’t be surprised if soon expensive machine rooms become a thing of the past.

 

CLOCK IT LIKE IT’S HOT

The key to top sound is the Antelope Audio clocking

Another reason why Goliath HD sounds like no other interface on the market is because of the world-renowned Antelope Audio Acoustically Focused Clocking (AFC) jitter management technologies it features. With over 20 years of history in digital clocking behind us, we backed the Goliath HD up with all OCX HD and Trinity sounding audio clocking.

This unbeatable sonic detail and precision, combined with analog authenticity will bring your sound to the realms of hi-end audio. Now you can also spread this perfection across your whole studio as BNC connectors are available for use as Loop Sync, standard Word Clock I/O and the Antelope Audio 10M atomic input.

 

ALL THE CONTROL YOU NEED

Goliath HD comes with a revised Touchscreen display and enhanced front panel

Goliath HD features a redesigned front panel. With enhanced monitor and level indicators, the responsive Touchscreen offers multichannel metering, easy access to preferences, presets, and clocking modes for HD or Native interfacing. And if this wasn’t enough, the Goliath HD dedicated Android & iOS compatible mobile app will allow you to turn your smartphone or tablet into a powerful audio interface remote control.




SPECIFICATIONS

 

ANALOG

Analog Inputs

  • 2 × DB25 (16 channels total)
  • 16 × Mic / Line on XLR combos
  • 4 × Hi-Z 1/4″” TRS

Analog Inserts

2 × Inserts on 1/4″ TRS (dedicated for inputs 1, 2)

Analog Outputs

  • 4 × DB25 (32 channels total)
  • 1 × Stereo pair of Monitor outs on 1/4″” TRS
  • 2 × Stereo Headphone outs on 1/4″” TRS
  • 2 × ReAmp outs on 1/4” TRS

D/A Monitor Converter

Dynamic Range: 132dB

THD + N: -108dB

A/D Converter

Dynamic Range: 124 dB

THD + N: -112 dB

D/A Converters

Dynamic Range: 129 dB

THD + N: -120 dB

Mic Preamp

Gain: 0,10 – 65 dB

THD + N: -112 dB

 

DIGITAL

Digital Inputs

  • 2 × ADAT (up to 16 channels)
  • 1 × S/PDIF
  • 1 × AES/EBU (8 channels)
  • 2 × MADI

Digital Outputs

  • 2 × ADAT (up to 16 channels)
  • 1 × S/PDIF
  • 1 × AES/EBU
  • 2 x MADI

USB I/O

USB 3.0 Super-Speed, Type B connector

Thunderbolt™ I/O

1 x Thunderbolt™ Gen2

HDX

2 x mini HDX connectors for direct Pro Tools connection, 32 Channels I/O each (total of 64 channels)

 

CLOCKING

Word Clock Input

1 x Input @ 75 Ohms 3Vpp on BNC

Atomic Clock Input

1 x 10M Input @ 75 Ohms 1Vpp on BNC

Word Clock Outputs

2 x Outputs @ 75 Ohms 3Vpp on BNC

Clocking System

  • 4th Generation Acoustically Focused Clocking
  • 64-bit DDS
  • Oven Controlled Crystal Oscillator

Clock Stability

<+/-0.02 ppm, oven controlled at 64.5ºC/ 148.1ºF

Clock Aging

< 1 ppm per year

Clock Calibration

< +/-0.001 ppm

Sample Rates (kHz)

32, 44.1, 48, 88.2, 96, 176.4, 192

 

OTHER

Operating Temperature

0-50°C, 32-122°F

Weight

6.8 kg/ 15 lbs (approx )

Dimensions (approx)

  • Width: 483 mm / 19”
  • Height: 81 mm / 3.2”
  • Depth: 279 mm / 11”

Electrical specs

AC Universal input: ~95-245 V

Power Consumption: 50 Watts Max

 

In the box

  • Goliath – ThunderboltTM and USB AD/DA Interface
  • Owner’s Manual
  • Warranty Card
  • 1 AEC Power cable
  • 1 USB cable

 

System requirements

 

WINDOWS

OS: Windows 7/8/8.1/10

Disk Space: Minimum 512 MB available disk space

USB: 1x USB 2.0 Port

Required USB bandwidth: 80%-90%

CPU: Intel or AMD equivalent CPU with at least 2GHz operating frequency

Memory (RAM): 4GB Minimum (8GB or more Recommended)

 

MAC

OS X: 10.9/10.10/10.11/10.12 (El Capitan 10.11.6 Recommended)

Disk Space: Minimum 512 MB available disk space

USB: 1x USB 2.0/3.0 Port

Thunderbolt: 1x Thunderbolt/USB-C Port

Required USB bandwidth: 80%-90%

Memory(RAM): 4GB Minimum (8GB or more recommended)

CPU: Intel Core 2 Duo (Minimum

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